For the introductory blog post to San Diego’s historical landmarks, click on San Diego’s Historical Landmarks.
#1: El Prado Area Designation, part 1
#1: El Prado Area Designation, part 2
#1: El Prado Area Designation, part 3
#1: El Prado Area Designation, part 4
#1: El Prado Area Designation, part 5
#1: El Prado Area Designation, part 6
#1: El Prado Area Designation, part 7
#1: El Prado Area Designation, part 8
#1: El Prado Area Designation, part 9
#1: El Prado Area Designation, part 10
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Next to the San Diego Museum of Art is the Timken Museum of Art.
Of all the buildings in Balboa Park, this one seems most out of place because its architecture does not match the predominant Spanish architecture. It was designed by San Diego architect John Mock and is considered one of the most important examples of mid-century southern California modernism, as well as one of the finest examples in the United States of the International Style. Construction materials include travertine, bronze, and glass, embracing the landscape of Balboa Park from its lobby, and making great use of natural light created by pioneer lighting designer Richard Kelly.
The Timken Museum of Art houses the world-class Putnam Foundation Art Collection and is considered one of the great “small museums” of the world. It is the only museum in Balboa Park which does not have an admission fee. Donations, of course, are happily accepted, and memberships are available.
The Putnam Foundation Collection dates back to the early part of the 20th century when sisters Anne and Amy Putnam came to San Diego. During their extensive travels, they developed a love of fine art and spent decades acquiring European old master paintings, mostly for public collections in San Diego, but also for their own private collection. They established the nonprofit Putnam Foundation in 1951, and subsequent acquisitions became part of the Putnam Foundation Collection.
The Timken Museum of Art was founded in 1965 as a permanent home for the Putnam Foundation Collection, featuring paintings from European and American old masters. Notable artists represented in the collection include Rembrandt, Rubens, Pieter Bruegel the Elder, John Singleton Copley, and Eastman Johnson. The museum also is noted for its collection of Russian icons, icons here having a totally different meaning than in today’s computer world.
Since I only today realized that the Timken Museum of Art always has free admission, I scurried over to Balboa Park and made my way to the museum. I was quite impressed.
They don’t allow any photography whatsoever, so one either has to search for hours on Wikipedia or Google royalty-free images to find something, or you can go directly to the Timken Museum of Art online gallery.
I did find a royalty-free image of the one painting that I found the most impressive:
I couldn’t find a royalty-free image with the frame, so I used a picture and put my own antique wood, museum-quality frame around it.
This probably was the largest painting in the museum, measuring a whopping 67×54 inches. I am not much into religious paintings, but I found the history of this painting to be interesting. In art, a painting’s history is called its provenance.
Titled “Death of the Virgin,” Petrus Christus (unk.-1475/6) painted this from 1460-65 using oil on oak panel. It is his largest known work and was originally the centerpiece of a triptych. The two side panels were destroyed during World War II, a fate of many works of art during that time.
Its provenance has been traced back to the town of Sciacca in Sicily during the 16th century. Various families in Palermo and Bagheria, Sicily, owned it until it was sold to Knoedler & Company of New York in 1938. The Putnam Foundation acquired it in 1951.
It has not been registered as stolen or missing by the Art Loss Register database, nor is it known to be an art loss related to World War II. Barring any future research revealing it to be stolen or missing, it will most likely remain here in San Diego at the Timken Museum of Art.
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