I don’t have much respect for photographers who spout that their pictures are straight out of the camera. All that tells me is that they haven’t explored all that their cameras can do.
In today’s world, even cameras are photoshoppers. For example, on all my Canon cameras (XSi, T2i, T6s), I can change the in-camera settings. I push the Menu button, scroll to Picture Style, choose it, and then I can choose Auto, Standard, Portrait, Landscape, Neutral, Faithful, Monochrome, User Def. 1, User Def. 2, and User Def. 3.
For each of those choices, I can then set the Sharpness (0 to 7), Contrast (-4 to +4), Saturation (-4 to +4), and Color tone (-4 to +4). Other settings on the camera allow me to modify exposure compensation, white balance, ISO, shutter speed, aperture, or even add creative filters (Grainy B/W, Soft focus, Fish-eye effect, Art bold effect, Water painting effect, Toy camera effect, Miniature effect), crop the picture, and change the brightness.
One also should realize that the little computers that power our cameras are more powerful than the 1960’s computers that sent man to the moon and brought him back safely. Why not use that power? In order to use that power, though, computers require software to make them run. Just like I prefer Photoshop over Photo-Paint and PaintShop Pro, I prefer the Canon software engineers’ programming over the programming from the engineers at Nikon, Sony, and the others. It’s not always about price. But that doesn’t mean that I’m going to let the Canon software engineers, who may or may not be photographers themselves, decide for me how I want my pictures to look. Ain’t gonna happen. What they have given me in their software programming is just the basics with which to start.
One of the best reasons for joining a photography club is to see what cameras other people are using and what their cameras can do. One of the little ol’ ladies in my camera club, 77 years old, uses no post-camera processing software. However, she has a Canon 70D. You should see her “post process” in her camera, both before and after she takes the picture, looking at and changing the histogram, the noise, the brightness, and anything else that suits her fancy for a particular picture or time. She knows every setting on her camera, and she knows how to use those settings, too. But she had always claimed that her pictures are “straight out of the camera.”
I pointed out to her one day that “post processing” really meant “after you take the picture,” not after the picture leaves the camera, and not necessarily using Photoshop on the computer back at home. I explained to her using her own camera and actions. She now understands, and since she has higher power connections in the camera club, the president asked me to do a “post processing” seminar for the camera club. We had around 200 people that morning; very few of them had ever explored their camera settings, preferring to think that they were expert photographers because they knew what P, A, ISO, Av, Tv, and M meant.
One of our younger male members loves sunrise and sunset pictures, but he doesn’t like getting up before noon, and by the time sunset arrives, he’s too busy with the wine & women. I showed him how to use the settings on his camera to get a sunrise/sunset picture at 2:00 p.m. any day of the year using his in-camera settings. Now he’s the happiest guy on Earth.
I enjoy post processing on my computer using Photoshop since I have a big computer screen, a fast computer, music to listen to, a cat in my lap, and a margarita on the desk. Trying to do post processing on a little 3-inch LCD screen with little buttons, out in the wild, is not my idea of fun.
So as I said, I don’t have much respect for someone who spouts that their pictures are straight out of the camera. All that tells me is that they haven’t explored all that their cameras can do or that their command of the English language is not yet sufficient to understand what “post processing” means.
Here are a couple of sunrise/sunset pictures of mine. Can you tell whether or not they are sunrise or sunset?
Those two are fairly easy because you have a 50% chance of being correct since the sun is in the picture. As long as I didn’t actually put the sun in the picture (which I can do with Photoshop), you know they are either sunrise or sunset. But what do you do if the sun is not in the picture, like these three:
Those pictures are mid-afternoon pictures. The clouds and whatever was happening behind them were creating some interesting effects with the sun. I used some in-camera settings to accentuate the effect and then completed the process at home in Photoshop.
So beware of photographers bearing alternative pictures in this new world order of alternative facts.
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